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Qiutax attorney irs is hardwood into xiaoxiang why poetry and resentment? the blending of art history restore and interpretation on ginger Rumsfeld the song poetry and politics of acting out "(EF, October 2009). Published: decoration, vol. 1, 2010. Ginger Rumsfeld (AlfredaMurck) of this work as their English writing Poetry and Painting in Song China: The Chinese translation of Subtle Artof Dissent, original works in 2000 by Harvard University Asia Center. The book from the Song dynasty painting and poetry relationship as the breakthrough point, from the interpretation of the theme and topic of the symbolic meaning of literature, painting, paintings of title poems in literary allusions, rhyme, and so forth more perspective, combining art, writers, authors, and other painting poetic life encounters, as well as the political and cultural background of the Song dynasty, Song dynasty scholar "inferred" political acting out ". These "secrets", because its painting poems in literary allusions and time Yun way only scholar well known within the group, so the only for their internal private, a safe, secret political expression of ideas. About the history of political ideas of painting studies are not uncommon. Wang zhenghua in the traditional Chinese painting and political power �� a research perspective, "one article, Chinese painting in the history of the" political power "of the essays are divided into two categories, one is the political implications and the political context of the study; the second is the nature of political power and its effectiveness. In first class, she won "in the early years of the Southern Song dynasty painting of", "image science-research" and "background research," "study" of the textural entitled respectively. Wang zhenghua of classification, mainly based on his own meaning and context is closely associated between. For example, she cited the Wen Fong and Sung of by MarilynFu and Yuan Paintings in his book the origin of the change of public figure "," eigteen "," map "of the book, Robert A.Rorex 1974 concerning the eigteen" thesis, Julia K.Murray on the book of charts ", PhD thesis, and subsequently published at Luang figure", "Takashi women as well as by the figure of the Saints in the Southern Song dynasty stone" of research publications that are related to painting in playing "dynasty zhongxing" the important political issues. JuliaK.Murray on the eigteen "and the" book "of research, Zhang riches (Scarlett Jang) completed in 1989, cattlemen, 18 Bachelor, Xiangshan, nine old theme of the doctoral thesis, you belong to the" image science-study, "because the paintings could not be placed in the context of specific age, but many have discussed is insufficient; in the study of the" background ", she comes to this kind of study often works in isolation from the history and culture, the implied" have such a background, there is research on such paintings ". Wang zhenghua accreditation is the study of the "thread" type, such as Peter C.Sturman crane on the SEO ", Shi Shou-Qian Tang di and the rise in the Yuan Li Guo painting school and the decline of the study, and so on. [1] the study of the "thread-" not only is required on the study of the history of painting, on successful research is concerned, the close link between the elements as problems. In the book, subject matter and the subject �� the title of the painting-painting poems �� artist, painting poetry author's life fate �� predecessors poems �� screen �� political acting out history and links between the faces of prudent review. To the theme and title of the topic, painting, paintings, poetry as a starting point to political factors involved is the ending point is the journey across thousands of miles, both with charming scenery, there are some pitfalls. In order to pave the road between deep groove on, author of integrated using a variety of ways to involve the interpretation of the text explanation, images, and social history, cultural history, and many other aspects, as we provide on this kind of research of new cases. As Western cultures grow scholar, author and profound Chinese traditional culture was breath-taking. As the third, fourth and fifth chapter on song di painting in discussion of the metaphor, the King of sushi and chapter VI on the smoke Jiang Shen in Luling peaks figure "pay for singing and of the author on Chinese classical poetry and in-depth understanding of this tiny; and author for visible painting ontology fine and exquisite beauty and observe with aggregates, reflected in the sharp ridges of Xian, the scenery of eight, including the spring graph, the small, dense forests, and the" bin "wind �� July reading of paintings. Author for poetry and politics don't easily grasp the links between, the focus is reflected in chapter VI, King of Shen in Luling "smoke on the river and peaks figure of interpretation. In this chapter, the author examines the subtle to the King of sushi and Shen in Luling peaks on the smoke River map of recompensing, is how to successfully use the jargon and allusions in literature, and how the twists and turns to express their aesthetic feelings and political ideas. The authors found that sushi and Wang Shen in Luling use du Fu's crocodile skin the autumn "rhyme, Su Shi Wang Shen in Luling both using the same literary resources, but as Du Fu, Wang Shen in Luling this painting poetic landscape. To make this landscape for mentally and Du Fu's butt. And on the changes of Du Fu's image, "in Chapter 3 the author already poetry and painting blend," "Holy" in respect of Du Fu has been talked about. In the 11th century, Du Fu's become the focus of the literati in Song dynasty, discovered that Du Fu is an example of Confucian benevolence, Du Fu's poetry beyond deep political concepts of difference, Ouyang Xiu, Wang Anshi, SIMA, Su Shi and Huang Tingjian are the pursues all du. Du Fu's old expression border war, the rural economy is sluggish and sense of initiative, as well as rich innovations and ironic sense of poetry and won the highest praise, the autumn crocodile skin House's "isDu Fu's poem as a model for this class, the poem depicts a crocodile skin Palace of culture, history, criticism of the Affairs of confusion and military incompetence and mourns the passing of cultural heyday. Author to Chapter 6 of the third card, at the same time in the poetry recompensing in creating a large number of puns, detail of the secret. This expression, followed by the hidden Yuanyou three years (1088) harsh political atmosphere. Prior to this, Su Shi poems because the "Ukraine", Wang Shen in Luling, 29 persons classified as accomplices, the ultimate sushi in exile, Wang Shen in Luling was demoted. Liu-eight years (1085) Su ended his career, Huangzhou exile from Yu outgoing return capital, and the harsh climate and no change, Yuanyou end, to avoid the vicious attacks on the tip of the day, he asked out of Beijing. Chapter 7 of the "Valley" somewhere out there, and similarly, the author looks at Huang Tingjian calligraphy works the wind in the Pavilion ", first with plenty of space on the mountain valley and Su similar frustrations career, the" pines "in" loose "and" wind "and" wind "and other words different cultural significance and symbolic meaning, and thus prove that" the wind "and sorrow, resentment, bitterness and Huangshan Valley of the wind in the Pavilion" in the verse, also adopted in the autumn the Kui fu du Fu's "rhyme and thus in spirit and Du Fu, remote add-in to this deep metaphor is visible. For literature in the use of symbolic meaning, it is important to note: first, their imagery and symbolism has a variety of symbolic meanings, second, because the person if, as a result, changes from place to place. The author is clearly on the face of such problems. As painting resources "xiaoxiang" literary imagery is the book you want to explore some of the main trunk. In Chapter 10, "the new voice of the old song Yan", the authors noted that "the image of man" xiaoxiang, according to time, changes from place to place. Not all of the scenery of the paintings are all natural with the same subject. The author points out that, after ten years of Wang shucheng, out of the map of xiaoxiang lying tour visually borrowed the xiaoxiang eight views of the image, is on the eight views of the scenery of an interpretation, but the painter or sponsor meaningfully modified it, they select and their circumstances consistent topic to screen the keynote to active freedom of choice of the concept of solitude. Animal husbandry and river, Jade Valley and others in the "further demonstrates xiaoxiang, painting by referencing the allusion that access to such a potential, it's almost on any aspect of human experience make cryptic comments. Multiple usage of the image of scenery can cause a cryptic desalination, however, by virtue of the literary tradition of heavy xiaoxiang, xiaoxiang imagery on depression, exile and the victim was the implied.
"Xiaoxiang" literary imagery, author attribution as "xiaoxiang complaining". In the first chapter, the authors cited from "Shun and Xiang Fei" to "some people" Liu, these myths and legends and poems constantly complaining about "xiaoxiang" images are cumulative. According to the study of clothing to fen, the literary imagery apart from xiaoxiang "hate don't think belong to the" sad tradition, there are "satisfied" and the US, which derives from the traditional to the gods of Mythology, xiaoxiang Qu Yuan's works as well as left qianliu combining literature, the latter because "the imagery xiaoxiang" and paradise legend on Confluence, OUN "," color, Tang singing xiaoxiang beauty of the landscape, and the pursuit of physical and psychological prose clean happy thoughts "xiaoxiang" as was born. These two images of the scene, also exists in landscape "xiaoxiang". [2] clothing to Finn also talked about the "xiaoxiang" painting poetic and landscape evolution process, its content has gone beyond the Hunan geography background, completed the "to" and "abstract" change, such as in-"xiaoxiang miyou white figure" has nothing to do with Hunan geography, personal ideas and with the expression of the valleys; grazing and Jade Valley of the eight sharp ridges of art scenery of May is near the West Lake; the Southern Art Academy painter Ma Yuan, the summer Kyu xiaoxiang eight sharp ridges "is considered as Lin'an. And its emotional content, and can be divided into three "strangers revenge" and "at home" feeling "," Yu yin of three types. [3] Wang of the sharp ridges of xiaoxiang eight belong to the "strangers" revenge ", while the kernel miyou white figure" xiaoxiang attributable to oun music, thought to the heart of this type. Clothing if fun for painting poetic insight is fascinating, but unlike most paintings of the same poem, it points to is also merely aesthetic level, yet involves deep social history, cultural history, nor the "acting out". But its research tips we, painting poetic imagery is in the literature may point to the secrets of the "political"? or just common sense of the ancient scholar's "personal mood"? "for strangers," "think back" and "oun" is a literary history of the old theme, or because time and space barriers, guanshan difficult to Vietnam; or because the privations, unhappylot, more of this kind of poetry in the express. But to explore where deep "fairy tales", you must link the metaphor for detailed inspection. Although the author for the clear Hunan eight song du sharp ridges of painting of nuanced, but also implies risks. First, regarding the creation of the song di xiaoxiang eight views of the most important of the early records of the source to Shen Kuo dream pool ", Shen Kuo in dream pool" lists the eight headings, so that the meaning of the title vested in the song di or Shen Kuo? in chapter II, the author used a lot of space on the case of the "song di" and "exile" Luoyang, seems to indicate this and the close association of song di. But the author also talked about: "I have eight views of the scenery of the title picture of explanation assumes that its existence metaphor, seriously consider Shen Kuo mentioned these biaotihanyou poetic point of view. From the 11th century in the late 1970s to early 1980s, the old party had taken power in the DPRK and exile Luoyang, I try to identify those that may reflect their position of poetry ... I tried to work out each picture title potential meanings range, and then pick the most appropriate allusions. Because the eight "xiaoxiang creative 's, many scholars to have a deep interest of Du Fu, his poems were special attention. "As a result, the eight" xiaoxiang paintings title meaning does not belong to a specific song di or Shen Kuo, who from the 11th century in the late 1970s to early 1980s scholar-old party. The above is clearly the result of the author's explanation, instead of painting history documentary nature rendering results. Because the song di xiaoxiang eight sharp ridges of modern has not passed, the description of its painting style, natural ancient documents, you need to quote the author also refers to Guo if virtual painting for song du description "(song's brother) was goodArt, mountains and dense forests, interest free elegant, graceful body image ... ", at the same time, Guo ruoxu admitting song is your own personal, but eight" xiaoxiang "said nothing. On the contrary, he mentioned elsewhere, the 10 th century court painter yellow Medica has painted "xiaoxiang eight views". Because the song's "xiaoxiang eight sharp ridges, author of paintings in the absence of can only be carried out under the painting, relying on the interpretation of the 11th century in the late 1970s to early 1980s old party had taken power in the DPRK. Du Fu's poetry to be supported, and that is borrowed "complaining" imagery xiaoxiang. But why this as background, and to use such images, and not "oun enjoy" image, we do not know. At the same time, recorded song di "interest free, body image, graceful" style and court painter yellow Medica has painted "xiaoxiang eight views" of the background were ignored. Book and poetry ", in the guise of" "poetry and painting," and "picture-in-a poem" illustrates a spare no effort, the former song di xiaoxiang painting, the latter have the sharp ridges of the Xian, 8. xiaoxiang In the latter, with the exception of screen layout and the association between a character, but also on the picture for detailed description, and its purpose. The author believes that its resources including the song's eight picture theme, this painting was based on extensive literary tradition, the song's original work (or script), and Hui-hung's poems. Authors will be classified as "xiaoxiang complaining" category, and that he was commissioned to draw the expression of personal melancholy of landscape painting of the seller, you may like Hu Quan this exile. Because image itself meaning of uncertainty, and the image using the background, a number of links is missing, "may" and other speculative conclusions often seen in words or the book. For example, in the bin wind �� July "diagram of cricket, cricket is thought for the" might be mourned symbol ", and" screen "implied" sleep to keep away from the level of the imperial court order, "and" owner "of the theme" constitutes a xiaoxiang and exile of another subtle reference ";" to Guo Xi "in early spring, the author considers this as" heqing's figure "and that" the success of the new elegant metaphor, "and" fine paints a well-known representative of the mighty spring scene huangen ", one of the main peak" symbolizes the extreme, but reflects the various social rank order characters used as the background, at the bottom of the screen to farmers and fishermen, on behalf of the society ". However, the authors also found that the "picture-in-two character does not conform to the model of social rank." When it comes to animal husbandry and river eight views of the scenery, the author believes that "the smoke landscape could easily and magic in the magic, eternal life, no, no I, Zen, also believes that there are grounds for animal husbandry River on complaining xiaoxiang expression theme veiled satire" fascinating ". This makes the thrust to paintings of a feeling of floating. Above shows the author for screen reading detailed and tenacious efforts, some of which we cannot explore, without implications as to the "discussion" Pingyuan landscape. The author believes that the composition of the "mind can be understood as the stability of the National Council, Pingyuan extolling may indicate a close to the mountains and lakes and rivers, the hermit life may express on grade and etiquette of endless concern to a temporary relief". Author to sushi the Guo Xi Akiyama Pingyuan 2 "in the" wooden fall show people were already complaining of autumn, Pingyuan hair poem and unhappily "verses, completed Pingyuan landscape and blue theme by grafting, quite convincing. Clothing to fen, xiaoxiang landscape dominated by mountains, Pingyuan give Shihfen. [4] Thrust of this book is to explore the "secrets" that is, through the subtle way to express political ideas, a perfectionist and screen the "jargon" became the author is committed. But the citation of some paintings, you do not fall within this category, such as the refugee's Knight Cheng ", the screen content at a glance, as in the case of the" display ". Also, because the original Batman Cheng has been the book-to-use chart is the song of the week quarter often 500 Arhat map: Shi wealth of the poor law, and that: "a hundred years, of a picture to understand how to portray the song down everyone who provides a rare examples". As a Buddhist theme painting, is to use the built-in schema, or truly depicted, is questionable. This article points to is the political factors involved in the song, "xiaoxiang literature about" imagery xiaoxiang and Song dynasty scholar of misery constitutes a great attraction of the book, makes all arguments are casually to this collection. Because of the lack of literary image, images, and images in symbolically uncertainty, and the time, place, person a sense of instability, and painting poetry author, delegate to the several aspects, such as missing, so the book in the history of restoration demonstration on many stagnant, and more with excessive interpretation of nature. The book is the first and second chapters setting, seems to have threatened possible conclusions. The problems faced by the book, but also almost all early painting history research topics are common difficulties, namely: in limited circumstances, how to provide more convincing interpretation programme? book nuanced, exhaustive efforts respectable, but also give us food for thought of enlightenment.
[1] Wang zhenghua: traditional Chinese painting and political power �� a research perspective, the new history of eight volume III, Taipei, September 1997, pp. 161-216 pages. [2] clothing to fen: the landscape of literary imagery xiaoxiang context of the law, see the Chinese literature and research qualterly,no.4,2003 twentieth stage, Taipei, March 2002, pp. 175-222 page. Ginger Rumsfeld this English version published in 2000, author of the Chinese version of the preamble indicated that, since the research results have not been adopted. [3] Mrs clothing if: the rafting and regression �� the song entitled "xiaoxiang lyric poetry landscape" inside information ", the Chinese literature and research qualterly,no.4,2003 twenty-first session, in September 2002, pages 1-42. [4] clothing to fen: the song entitled "xiaoxiang" landscape painting poetic geography concepts, space and mental consciousness, Sinica, Liu Yuan as eds., spatial, geographical and cultural �� Chinese cultural space of the writing and the interpretation of the law (part 2), Central Research Institute of Chinese literature Institute, Taipei, 2002, p. 348-351 pages.
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